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Steven Millhauser

40quotes

Steven Millhauser


#### Full Name and Common Aliases
Steven Millhauser is the full name of this American writer, best known for his unique blend of literary fiction, magical realism, and philosophical themes.

Birth and Death Dates


Born on August 15, 1943, in Brooklyn, New York, Millhauser's life has spanned over seven decades. As of my knowledge cutoff, he is still active as an author.

Nationality and Profession(s)


Millhauser is an American writer, novelist, short story writer, and essayist. His work often defies genre classification, blurring the lines between fiction and nonfiction.

Early Life and Background


Growing up in a Jewish family, Millhauser developed an interest in literature at an early age. He studied English literature at Oberlin College before transferring to Yale University, where he earned his Bachelor's degree in 1964. After completing his graduate studies at Johns Hopkins University, Millhauser moved to Paris, where he taught and began writing seriously.

Major Accomplishments


Millhauser's breakthrough novel, Edgar Havisham, published in 1971, garnered critical acclaim for its innovative narrative structure and exploration of the human condition. His subsequent novels, including Palladio (1990) and Martin Dressler: The Tale of an American Dreamer (1996), solidified his reputation as a masterful storyteller.

Notable Works or Actions


Some of Millhauser's most notable works include:

_The Knife Thrower_ (1979): A novel that explores the intersection of reality and fantasy through the story of a mysterious knife thrower.
 _Enchantments_ (2012): *A collection of stories that delve into themes of love, magic, and mortality.
 _Dangerous Laughter_ (1994): A novel that examines the tensions between art and life.

Impact and Legacy


Millhauser's unique blend of literary fiction and magical realism has influenced a generation of writers. His work often explores the human condition, raising questions about the nature of reality, identity, and morality. His use of unconventional narrative structures and techniques has also inspired many young writers to experiment with form and style.

Why They Are Widely Quoted or Remembered


Millhauser's writing is widely quoted and remembered for its unique blend of philosophical insight, literary craftsmanship, and imaginative power. His work continues to be studied in universities and admired by readers around the world.

Quotes by Steven Millhauser

Steven Millhauser's insights on:

As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections – that our destinations lie in a far corner of the same department – that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out.
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As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections – that our destinations lie in a far corner of the same department – that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out.
SM
Let no one tell me that childhood is lived in a timeless present. Rather it is a fever of futures, an ardor of perpetual anticipations.
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Let no one tell me that childhood is lived in a timeless present. Rather it is a fever of futures, an ardor of perpetual anticipations.
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This is the night of revelation. This is the night the dolls wake. This is the night of the dreamer in the attic. This is the night of the piper in the woods.
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This is the night of revelation. This is the night the dolls wake. This is the night of the dreamer in the attic. This is the night of the piper in the woods.
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I expected no miracles; I wasn’t young enough for dreams; I knew in my bones that I couldn’t escape my troubles by changing the view from my window.
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I expected no miracles; I wasn’t young enough for dreams; I knew in my bones that I couldn’t escape my troubles by changing the view from my window.
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The sky surprised me. It was a deep blue, the blue of a sorcerer’s hat, of night skies in old Technicolor movies, of deep mountain lakes in Swiss countrysides pictured on old puzzle boxes.
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The sky surprised me. It was a deep blue, the blue of a sorcerer’s hat, of night skies in old Technicolor movies, of deep mountain lakes in Swiss countrysides pictured on old puzzle boxes.
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Do you believe that the actor on the stage is really a villain? Let me ask you something else. If he isn’t a villain, then is he a liar?
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Do you believe that the actor on the stage is really a villain? Let me ask you something else. If he isn’t a villain, then is he a liar?
SM
The more the mouse pursues this line of of thought, the more it seems to him that the cat is a large, soft mouse.
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The more the mouse pursues this line of of thought, the more it seems to him that the cat is a large, soft mouse.
SM
I am often tired. I am sometimes discouraged. I am always sure.
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I am often tired. I am sometimes discouraged. I am always sure.
SM
Then solar systems, galaxies, supernovas, infinite space itself will become elements of a final masterwork – a never-ending festival, a celestial amusement park in which every exploding star and spinning electron is part of the empyreal choreography.
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Then solar systems, galaxies, supernovas, infinite space itself will become elements of a final masterwork – a never-ending festival, a celestial amusement park in which every exploding star and spinning electron is part of the empyreal choreography.
SM
In the long dusks of summer we walked the suburban streets through scents of maple and cut grass, waiting for something to happen.
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In the long dusks of summer we walked the suburban streets through scents of maple and cut grass, waiting for something to happen.
SM
#cutting
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