I like dark subject matter. I’m not sure what that means about me!

When you’re in a place, the details you focus on are different than details you focus on when you’re writing about it.

At the end of the day, it’s about the reader’s attachment to and belief in the magical elements that make or break magical realism.

I’ve always written about animals. I’m still trying to process why that is.

At the end of the day, despite all the other great things that literature does in society and in a person’s life, I think that we read to escape. And I think that place, more than anything, provides that escape quickly, if an author is engaged with the place.

For me it was a lot harder to come to terms with the death of my grandfather than it was to come to terms with what’s happened to the former Yugoslavia.

Kelly Link’s prose is conveyed in details so startling and fine that you work up a sweat just waiting for the next sentence to land. This is why we read, crave, need, can’t live without short stories.

Being taken seriously, for a young writer, is a wonderful form of encouragement, but at the same time, I don’t think one should ever feel like attempting a kind of artistic endeavor is beyond your scope just because of age or inexperience.

We’re all entitled to our superstitions.

I do no writing while I’m in Belgrade visiting my grandma.