Thomas Ligotti
In a description that drew public attention to his work, The Washington Post called Thomas Ligotti "the best kept secret in contemporary horror fiction." That characterization appeared alongside a career that would ultimately be recognized with a Bram Stoker Award for Lifetime Achievement, one of several formal honors Ligotti has received.
Born on July 9, 1953, in Detroit, Ligotti is a citizen of the United States. He was educated at Macomb Community College and subsequently at Wayne State University. Writing in English, he has worked within the genre of horror literature, and his writings are most prominently rooted in weird fiction.
His work has also been described as philosophical horror, a designation that distinguishes his fiction within the broader landscape of the genre. That quality, present across his writings, drew the attention of award bodies on both sides of the Atlantic. Ligotti received the Bram Stoker Award for Best Fiction Collection, the British Fantasy Award for Best Anthology or Collection, and the Bram Stoker Award for Lifetime Achievement.
The Washington Post's description of Ligotti as a well-kept secret in contemporary horror fiction stands as one concrete measure of how his work was received at a particular moment in his career. His three awards — two Bram Stoker Awards and one British Fantasy Award — represent the most specific record the facts provide of how the field has formally acknowledged his writings in horror literature and weird fiction.
Quotes by Thomas Ligotti
Thomas Ligotti's insights on:
Optimism has always been an undeclared policy of human culture – one that grew out of our animal instincts to survive and reproduce – rather than an articulated body of thought. It is the default condition of our blood and cannot be effectively questioned by our minds or put in grave doubt by our pains. This would explain why at any given time there are more cannibals than philosophical pessimists.
At times I have been rendered breathless by the impeccable chaoticism, the absolutely perfect nonsense of some spectacle taking place outside myself, or, on the other hand, some spectacle of equally senseless outrageousness taking place within me.
It’s strange how you’re sometimes forced to assume an unsympathetic view of yourself through borrowed eyes.
Whether you think consciousness to be a benefit or a horror, this is only what you think – and nothing else.
While a modicum of consciousness may have had survivalist properties during an immemorial chapter of our evolution – so one theory goes – this faculty soon enough became a seditious agent working against us. As Zapffe concluded, we need to hamper our consciousness for all we are worth or it will impose upon us a too clear vision of what we do not want to see, which, as the Norwegian philosopher saw it, along with every other pessimist, is “the brotherhood of suffering between everything alive.
In plain language, we cannot live except as self-deceivers who must lie to ourselves about ourselves, as well as about our unwinnable situation in this world.
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him.
I continued to stare at the empty seat because my sensation of a vibrant presence there was unrelieved. And in my staring I perceived that the fabric of the seat, the inner webbing of swirling fibers, had composed a pattern in the image of a face – an old woman’s face with an expression of avid malignance – floating amidst wild shocks of twisting hair.
He became a seeker of crowds, but the crowds thinned and abandoned him. He became a seeker of lights, but the lights grew strange and led him into desolate places.
The farther you progress toward a vision of our species without limiting conditions on your consciousness, the farther you drift away from what makes you a person among persons in the human community.