Tinie Tempah
Tinie Tempah: A Biography
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Full Name and Common Aliases
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Patrick Okogwu, professionally known as Tinie Tempah, is a British rapper, singer, songwriter, record producer, and entrepreneur.
Birth and Death Dates
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Born on November 15, 1988, in Plaistow, London, England. He is still alive.
Nationality and Profession(s)
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British rapper, singer, songwriter, record producer, and entrepreneur.
Early Life and Background
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Growing up in a Nigerian family in East London, Tinie Tempah developed an interest in music at an early age. He was exposed to various genres, including hip-hop, grime, and R&B, which would later influence his unique sound. Okogwu attended the prestigious St Benedict's Catholic School in Ealing before pursuing a career in music.
Major Accomplishments
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Tinie Tempah rose to fame with his debut single "Pass Out" in 2009, which topped the UK Singles Chart for four weeks. His subsequent albums, _Disc-Overy_ (2010) and _Demonstrating My Stereotype_ (2013), solidified his position as a prominent figure in British hip-hop. He has collaborated with notable artists such as Labrinth, Wiz Khalifa, and Jessie J.
Notable Works or Actions
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Tinie Tempah's breakthrough single "Pass Out" was followed by the release of his debut album _Disc-Overy_, which included hits like "Fame" and "Invincible." The album earned him two Grammy nominations. He has also made headlines for his high-profile relationships, including with celebrities such as Jessie J.
Impact and Legacy
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Tinie Tempah's music often blends grime, hip-hop, and R&B styles, setting a new standard for British urban music. His influence can be seen in the work of younger artists, who have credited him as an inspiration. As a successful entrepreneur, he has launched his own record label, Disturbing London Records, which has signed notable acts like Labrinth.
Why They Are Widely Quoted or Remembered
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Tinie Tempah's innovative approach to music and his ability to navigate the UK's urban scene have cemented his status as a respected figure in British hip-hop. His quotes often reflect his entrepreneurial spirit, passion for music, and dedication to mentoring young artists. As a thought leader in the industry, he continues to inspire new generations of musicians and entrepreneurs alike.
Tinie Tempah's remarkable journey from East London to international recognition serves as an inspiration to anyone pursuing their dreams in the creative industries. His commitment to innovation and perseverance has left an indelible mark on British music, making him a widely quoted and remembered figure in the world of hip-hop.
Quotes by Tinie Tempah
Tinie Tempah's insights on:
I met Ellie Goulding at the BRITs. She's lovely. I've got a lot of time for her. I gave her congratulations and whatnot and she let me hold her BRIT. That was amazing - once I'd touched one for the first time, I said 'This cannot be the last time I touch a BRIT.'
Nigeria is like everywhere, really: there are some beautiful places that have been invested in and others that haven't been.
Maybe when it comes to my music, or my performances, I’m a little more aggressive because I want everything to be perfect. But not in normal, day-to-day life.
A lot of young people have all these aspirations but many of them don’t believe they’re possible.
Grime is a particular style of music. You’ve got electro, funk and garage; grime is its darker side. It’s constantly evolving.
I was like 14 and decided I wanted to be a rapper, so I needed a hip rapper name. I was with one of my friends in class and literally went through a thesaurus. I saw “temper” and thought, “I like this, but it’s too much.” My friend was like, “What about Tinie for tiny,” and that was that.
When I feel like I’m renowned enough, I’d love to do a heritage-type line, but that takes time.
I’m starting to think about my life, thinking about where I’m going to be in three years time: who I’m going to be with, where I’m going to be situated myself.
My mom used to sell fabric and lace when I was younger. She would bring back these elaborate fabrics from Nigeria. I always enjoyed being around it. However, it wasn’t until I started making music that I started taking a vested interest.
I don’t think I’ve had to change anything, really, apart from being more serious and focussed on my drive. One thing I’ve realised is that you get out what you put in and because of that my work rate has increased ten fold.