Tom King
Tom King is an American comics writer and novelist, born on July 15, 1978, in Washington, D.C.
King was educated at Columbia University. Before his writing career, he served as a CIA officer, a role he has since left. He wrote The Sheriff of Babylon, a comics series, alongside other work that brought him early recognition in the field, including the Harvey Award for Most Promising New Talent.
King's output across several notable titles includes Vision, Mister Miracle, Batman, and Supergirl: Woman of Tomorrow. These projects, written in English, reflect a body of work that spans both superhero narratives and other comics storytelling. His work earned him the Eisner Award for Best Writer and the Ringo Award for Best Writer, honors presented within the comics industry.
King's writing career sits alongside his earlier background as a military officer and former CIA officer, a combination that distinguishes his path into comics. His recognized works — Vision, Mister Miracle, Batman, The Sheriff of Babylon, and Supergirl: Woman of Tomorrow — represent the range of his output as a comics writer and novelist working in English.
Quotes by Tom King

As ever, I caveat with saying that I don't write about the factual content of my C.I.A. experience. Ever. People who are working hard to save lots of lives depend on me to keep my mouth shut.

Not to get political, but it seems like every day I read the paper, and you're reading about nuclear war and Russians taking over the country and Nazis again. It's like every once in a while, the world blinks for a second, and it goes, 'Darkseid is!' The world has changed, and it's changed in a 'Darkseid is' way.

I think sometimes you go through an experience, and you don't feel the impact, especially in a war experience, until way past it.

When I was dealing with a lot of Iraqis, lies were constant; people constantly lied to you. It's a part of their culture. They wanted to please you so much, they were willing to lie to you to please you.

I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.

When I talk about the C.I.A. stuff, I feel guilt because I left. I really believed in that job, and my colleagues are still there. But I have kids now.

Batman gets close to the insanity of Gotham, to the craziness, to what drives that city mad, and not be driven mad himself - or, at least, most of the time he isn't. That's most like the mission of the C.I.A. We get into the heads of our enemies without becoming our enemy.

I'm a firm believer in putting your experiences in your writing, of bleeding into the page.

