WJ

William Joyce


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Full Name and Common Aliases


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William Joyce was born as William Patrick Joyce on September 6, 1911, in Brooklyn, New York. He is often referred to by his pen name, Bill.

Birth and Death Dates


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Joyce was born on September 6, 1911, and passed away on March 3, 2011, at the age of 99.

Nationality and Profession(s)


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William Joyce was an American animator, director, producer, screenwriter, cartoonist, author, and illustrator. He is best known for his work in animation, particularly as a co-founder of the animation studio PDI/DreamWorks and as the creator of the characters "Moral Orel" and "Happy Heroes".

Early Life and Background


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Joyce was born to Irish-American parents in Brooklyn, New York. His father was a printer, and his mother was a schoolteacher. Joyce showed an early interest in art, and by the age of 12, he was already selling his drawings to local newspapers. He attended Erasmus Hall High School, where he developed his drawing skills and was influenced by comic strips and animation.

Major Accomplishments


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Joyce's career spanned over seven decades, during which he made significant contributions to the world of animation. Some of his notable accomplishments include:

Co-founding PDI/DreamWorks with Sergio Pablos in 1994, where he served as the studio's president and creative director.
Creating the characters "Moral Orel" and "Happy Heroes", which were featured in various TV shows, films, and other media.
Directing several animated films, including "Rise of the Guardians" (2012) and "Robots" (2005).

Notable Works or Actions


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Joyce's work spans multiple mediums, including animation, comics, and children's literature. Some of his notable works include:

Happy Heroes: A series of animated shorts that aired on TV and were later adapted into a feature film.
Moral Orel: An adult animated sitcom that premiered on HBO in 2005 and ran for three seasons.
The Fantastic Flying Books of Mr. Morris Lessmore: A short animated film that won the Academy Award for Best Animated Short Film in 2012.

Impact and Legacy


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William Joyce's impact on animation is immeasurable, with his work influencing generations of animators and filmmakers. His legacy extends beyond his films and TV shows, as he has inspired countless artists, writers, and directors through his innovative approach to storytelling.

Why They Are Widely Quoted or Remembered


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William Joyce's quotes are often sought after for their insight into the world of animation and filmmaking. As a highly respected figure in the industry, his opinions on creativity, innovation, and perseverance continue to inspire artists and creatives around the world. His legacy as a trailblazer in animation serves as a reminder of the power of imagination and the importance of pushing boundaries in storytelling.

In conclusion, William Joyce was a true pioneer in the world of animation, leaving behind a lasting impact on the industry through his innovative approach to storytelling, memorable characters, and groundbreaking films.

Quotes by William Joyce

"
The only road to the highest stations in this country is that of the law.
"
I have known lots of adults who enjoyed similar enthusiasms as a kid and weren’t encouraged and then didn’t go anywhere with it and so they’re unhappy in their jobs as adults.
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And they’re also very good at math, these super boogers, and so they teach Billy the ways of mathematics.
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Nightlight, who never slept and never dreamed, would keep nightmares, both imagined and real, away.
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I’ve always liked getting away with just a little bit of what you’re not supposed to. Like my first book, Billy’s Booger, got me in trouble with the principal’s office.
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If you really want to tell stories, do it and don’t be dissuaded.
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You know, I hate to give advice because my life has been so odd that almost nothing that’s happened to me can apply.
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Apart from my absolute belief in National Socialism and my conviction of Hitler’s superhuman heroism, I had always been attracted to Germany.
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The first book I ever wrote was in fourth grade and it was called ‘Billy’s Booger.’ It was an autobiographical piece about a kid who was really bad at math.
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I don’t regard Jews as a class. I regard them as a privileged misfortune.
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