YR

Yasmina Reza

21quotes

Yasmina Reza


Full Name and Common Aliases


Yasmina Reza is a French author, playwright, and actress.

Birth and Death Dates


Born on May 1, 1959, in Paris, France.

Nationality and Profession(s)


French. Writer, Playwright, Actress.

Early Life and Background


Yasmina Reza grew up in a wealthy family in Paris. Her father, Marcel Reza, was an Iranian-born French businessman, and her mother, Catherine Reizel, came from a Sephardic Jewish family. Reza's early life was marked by a privileged upbringing, but also one that exposed her to the complexities of identity, culture, and social status.

Major Accomplishments


Reza's literary career spans over three decades, with numerous plays, novels, and essays to her credit. Her breakthrough play, "Art," premiered in 1994 at the Théâtre Fontaine in Paris, winning the Molière Award for Best Play. The work explores themes of friendship, art, and the value of money.

Notable Works or Actions


Some of Reza's notable works include:

_"Babylone"_ (2005), a play that critiques consumer culture and the commodification of art.
 _"God of Mercy"_ (2011), a novel that explores the complexities of faith, morality, and human relationships.
* Her essays on politics, culture, and identity have been widely published in French journals and newspapers.

Impact and Legacy


Yasmina Reza's work has had a significant impact on contemporary French literature and theater. Her plays often provoke discussion about the role of art in society, the value of cultural heritage, and the tension between tradition and modernity.

Why They Are Widely Quoted or Remembered


Reza is widely quoted for her incisive observations on the human condition, which are both humorous and unsettling. Her writing style, characterized by its wit, irony, and intellectual depth, has made her a prominent figure in French literary circles.

Quotes by Yasmina Reza

Bad weather doesn’t give you ideas about going to visit a flower garden.
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Bad weather doesn’t give you ideas about going to visit a flower garden.
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What there will be, unfortunately, on the one side is silence, and on the other, evidence of bitterness, evidence of injustice, lack of gentleness, lack of pity. An anatomy of melancholy.
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What there will be, unfortunately, on the one side is silence, and on the other, evidence of bitterness, evidence of injustice, lack of gentleness, lack of pity. An anatomy of melancholy.
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To have nobody is to have not even yourself. Somebody loving you provides a certificate of existence. When a person feels alone, he can’t exist without some small social fable.
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To have nobody is to have not even yourself. Somebody loving you provides a certificate of existence. When a person feels alone, he can’t exist without some small social fable.
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Time changes everything, including the soul of a face.
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Time changes everything, including the soul of a face.
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All men and women go through the same fog.
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All men and women go through the same fog.
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Women always think you need a man, you need a father, as if they’d be the slightest use. Men are a dead weight, they’re clumsy and maladjusted.
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Women always think you need a man, you need a father, as if they’d be the slightest use. Men are a dead weight, they’re clumsy and maladjusted.
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Someday someone should make a study of the silence that falls inside a car when you’re returning home after having flaunted your well-being, partly to edify the company, partly to deceive yourself. It’s a silence that tolerates no sound, not even the radio, for who in that mute war of opposition would dare to turn it on?
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Someday someone should make a study of the silence that falls inside a car when you’re returning home after having flaunted your well-being, partly to edify the company, partly to deceive yourself. It’s a silence that tolerates no sound, not even the radio, for who in that mute war of opposition would dare to turn it on?
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After I write, I have nothing to say. The commentary afterwards is superfluous. I write. And that’s enough.
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After I write, I have nothing to say. The commentary afterwards is superfluous. I write. And that’s enough.
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What we like about women is sensuality, wildness, hormones. Women who make a song and dance about their intuition.
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What we like about women is sensuality, wildness, hormones. Women who make a song and dance about their intuition.
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Courtesy is a waste of time; it weakens you and undermines you.
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Courtesy is a waste of time; it weakens you and undermines you.
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