35 Quotes by Anne Dudley

You gonna suck the marrow out of that bone?" he asked, hoping for a distraction."Like to suck something else.""Christ," Alex sputtered. He sure walked right into that one."Just sayin'."Alex took another giant swig. "You got a dirty mouth.""I'd be more than happy to show you dirty. Just like I did this mornin'. By the way...you looked amazin' when you unloaded.

What we devised for The Full Monty was a little sort of odd band full of slightly unusual instruments that you wouldn't normally put together, like a harmonica and an acoustic guitar and a baritone sax.

I think being studio-literate helps, because obviously I'm not intimidated by the studio, and I never have been. I've always thought it was another part of the creative process.

I think the thing about being a film composer is that you have to be pretty eclectic-be able to turn your hand to all sorts of different styles and genres and be familiar with the latest rhythms and the range of an obscure instrument.

The Art of Noise was in this suspended animation. We never really went away. But I think it was quite an ecologically sound move not to release anything for about nine years, because there's far too much stuff out there anyway. Until we thought we had something really good, we didn't want to burden the world with more stuff.

The Art of Noise was in this suspended animation.

Usually one or two things happen: Either you have an idea straightaway-the sort of sound that you want or the instrumentation or one particular sound that you want to feature-or you don't.

I wanted to make a classical piece that was actually designed to be a CD, not designed for performance.

We all shared an admiration of Debussy both as a musician and as sort of an icon for the 20th century. It seemed like an interesting idea to go right back 100 years to find the source of some new ideas now.