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Jose Padilha

36quotes

Jose Padilha


Biography of the acclaimed Brazilian film director, writer, and activist.

Full Name and Common Aliases


Jose Padilha is a renowned Brazilian filmmaker, best known for his critically acclaimed films such as "Elite Squad" (2007) and "RoboCop" (2014).

Birth and Death Dates


Born on March 4, 1967, in Rio de Janeiro, Brazil. Still active in the film industry.

Nationality and Profession(s)


Brazilian filmmaker, writer, and activist. Padilha has worked extensively as a director, writer, and producer in both Brazilian and international productions.

Early Life and Background


Growing up in Brazil during the tumultuous 1970s and 1980s had a profound impact on Padilha's worldview and artistic vision. His early life was marked by social activism, which would later influence his filmmaking style and themes. After studying economics at the Pontifical Catholic University of Rio de Janeiro, Padilha transitioned to filmmaking, attending the Brazilian film school, CCE (Centro Cultural São Paulo).

Major Accomplishments


Padilha's breakthrough came with "Elite Squad," a gritty, intense portrayal of police corruption in Brazil. The film earned critical acclaim worldwide and won several awards at international film festivals, including the Grand Prix des Amériques at Fantasia International Film Festival.

Notable Works or Actions


Some of Padilha's notable works include:

"Elite Squad" (2007): A crime drama that explores corruption within the Brazilian police force.
"Bus 174" (2002): A documentary-drama film based on the true story of a bus hijacking in São Paulo.
* "RoboCop" (2014): An action-packed reboot of the classic sci-fi franchise, which Padilha co-wrote and directed.

Impact and Legacy


Jose Padilha's films are known for their gritty realism, tackling complex social issues such as corruption, police brutality, and racism. His work has been praised by critics for its thought-provoking themes and cinematic style.

Why They Are Widely Quoted or Remembered


Padilha is widely quoted for his incisive commentary on contemporary Brazilian society, which continues to inspire both domestic and international audiences. As a filmmaker who refuses to shy away from controversy, he has made significant contributions to the world of cinema and beyond.

Quotes by Jose Padilha

Jose Padilha's insights on:

RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?'
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RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?'
I think the media needs a little criticizing now, as it did in the '80s, don't you?
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I think the media needs a little criticizing now, as it did in the '80s, don't you?
Well, I'm not that popular with the politicians, I have to say.
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Well, I'm not that popular with the politicians, I have to say.
We make violent cops, we make violent criminals, and no wonder we have shootouts in slums all of the time.
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We make violent cops, we make violent criminals, and no wonder we have shootouts in slums all of the time.
A film is a living thing. The screenplay is a guideline. You really need to have a good, sound script to know that you have a dramatic structure that's going to work thematically, and to know how one scene will got through another, and to get a sense of character.
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A film is a living thing. The screenplay is a guideline. You really need to have a good, sound script to know that you have a dramatic structure that's going to work thematically, and to know how one scene will got through another, and to get a sense of character.
Usually I say I have no imagination.
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Usually I say I have no imagination.
Measurements, observations, descriptions can only be considered scientific when they are independently confirmed by other people.
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Measurements, observations, descriptions can only be considered scientific when they are independently confirmed by other people.
In Rio de Janeiro, every cop has to make a choice. He either turns dirty, keeps his mouth shut, or goes to war.
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In Rio de Janeiro, every cop has to make a choice. He either turns dirty, keeps his mouth shut, or goes to war.
You're looking for the best way of shooting it, but sometimes the best way of shooting it is changing the script.
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You're looking for the best way of shooting it, but sometimes the best way of shooting it is changing the script.
I love the sharpness and political tone of RoboCop and I think that such a film is now urgently needed.
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I love the sharpness and political tone of RoboCop and I think that such a film is now urgently needed.
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