Julio Cortázar
Julio Cortázar
================
Full Name and Common Aliases
Julio Florencio Cortázar was born on August 26, 1914, in Brussels, Belgium. His family moved to Argentina when he was young, and he spent most of his life there. He is commonly known as "Julio" among friends and fans.
Birth and Death Dates
------------------------
Born: August 26, 1914, in Brussels, Belgium
Died: February 12, 1982, in Paris, France
Nationality and Profession(s)
Cortázar was an Argentine writer, poet, and literary critic. He is best known for his innovative and experimental writing style, which blended elements of magical realism, surrealism, and avant-garde literature.
Early Life and Background
Cortázar grew up in a middle-class family in Buenos Aires, Argentina. His father was a railway employee, and the family moved frequently during Cortázar's childhood. This nomadic lifestyle had a profound impact on his writing style, which often features fragmented narratives and unreliable narrators.
Cortázar developed an interest in literature at an early age, influenced by the works of French writers like André Gide and Marcel Proust. He began writing poetry and short stories while still in his teens and went on to study law at the University of Buenos Aires. However, he soon abandoned his legal studies to pursue a career in writing.
Major Accomplishments
Cortázar's most notable works include:
Rayuela (1963), a novel that defies traditional narrative structures and features multiple storylines and unreliable narrators.
62: Modelo para armar (1968), a novel that explores the complexities of relationships and identity through a series of fragmented narratives.
* Bestiario (1951), a collection of short stories that showcase Cortázar's mastery of magical realism.
Cortázar was also an accomplished poet, and his collections, such as Salvo el alma (1947) and Blanco sobre blanco (1968), demonstrate his skill with language and form.
Notable Works or Actions
In addition to his literary achievements, Cortázar was a key figure in the Latin American literary boom of the 1950s and 1960s. He was a vocal critic of traditional literary conventions and an advocate for experimental writing styles.
Cortázar's work was heavily influenced by his experiences as a member of the Argentine avant-garde movement, which sought to break away from traditional forms of art and literature. His writing often featured elements of surrealism and magical realism, blurring the lines between reality and fantasy.
Impact and Legacy
Julio Cortázar's impact on world literature cannot be overstated. He is widely regarded as one of the most innovative and influential writers of the 20th century. His experimental style has influenced generations of writers, including Gabriel García Márquez, Carlos Fuentes, and Mario Vargas Llosa.
Cortázar's work continues to be celebrated for its innovative use of language, form, and narrative structure. His writing often explores themes of identity, relationships, and the human condition, making him a beloved figure among readers around the world.
Why They Are Widely Quoted or Remembered
Julio Cortázar is widely quoted and remembered for his innovative writing style, which continues to inspire writers today. His work challenges traditional notions of narrative structure and encourages readers to think creatively about the relationship between language and reality.
Cortázar's legacy extends beyond his literary achievements; he was also a vocal advocate for human rights and social justice. His commitment to exploring the complexities of the human condition has made him a beloved figure among readers, writers, and scholars alike.
Quotes by Julio Cortázar
Julio Cortázar's insights on:

Nothing is more comical than seriousness understood as a virtue that has to precede all important literature.

I have never described this to you before, not so much, I don’t think, from lack of truthfulness as that, just naturally, one is not going to explain to people at large that from time to time one vomits up a small rabbit.

The short-story writer knows that he can’t proceed cumulatively, that time is not his ally. His only solution is to work vertically, heading up or down in literary space.

Of all our feelings the only one which really doesn’t belong to us is hope. Hope belongs to life, it’s life itself defending itself. Etcetera.

A short story relies on those values that make poetry and jazz what they are: tension, rhythms, inner beat, into unforeseen within foreseen parameters.

I think we all have a little bit of that beautiful madness that keeps us walking when everything around us is so insanely sane.

What most people call loving consists of picking out a woman and marrying her. They pick her out, I swear, I’ve seen them. As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. They probably say that they pick her out because-they-love-her, I think it’s just the siteoppo. Beatrice wasn’t picked out, Juliet wasn’t picked out. You don’t pick out the rain that soaks you to a skin when you come out of a concert.


