KO

Kakuzō Okakura: A Life of Art, Culture, and Philosophy


#### Full Name and Common Aliases
Kakuzō Okakura was a Japanese art historian, curator, and writer who is commonly known by his pen name, Lafcadio Hearn.

#### Birth and Death Dates
Born on January 17, 1862, in Yokohama, Japan, Kakuzō Okakura passed away on February 2, 1913, at the age of 51.

#### Nationality and Profession(s)
Okakura was a Japanese national with a multifaceted career as an art historian, curator, writer, and educator. He is widely regarded for his contributions to the understanding and appreciation of Eastern art and culture.

#### Early Life and Background
Growing up in Yokohama, Okakura was exposed to both Western and Japanese cultures from an early age. His father, Keiga, was a painter who had worked with Japanese artists to create artworks for European clients. This blend of influences would later shape Okakura's perspective on art and culture.

#### Major Accomplishments
Okakura was instrumental in shaping the Asian Art Museum at the University of California, Berkeley. He also played a crucial role in organizing the 1904 World's Fair in St. Louis, where he showcased Japanese art and culture to a global audience. Moreover, Okakura co-founded the Ogai Mori Museum of Art in Tokyo and was a pioneer in promoting Asian art and aesthetics.

#### Notable Works or Actions
Some of Okakura's notable works include "The Ideals of the East: The Spirit of Japanese Culture," which explores the fundamental principles of Eastern philosophy, and "The Awakening of Japan." He also wrote extensively on Japanese art, including "A History of Japanese Art" and "Book of Tea."

#### Impact and Legacy
Okakura's work not only introduced Western audiences to the richness of Asian art and culture but also helped shape modern perceptions of the East. His writings often highlighted the spiritual connections between art, nature, and human existence, emphasizing the importance of balance and harmony.

#### Why They Are Widely Quoted or Remembered
Okakura is widely quoted for his eloquent insights into Eastern philosophy and aesthetics. His passion for promoting cross-cultural understanding has inspired countless artists, writers, and thinkers. As a bridge between East and West, Okakura's legacy continues to resonate with those interested in the intersection of art, culture, and human experience.

Okakura's work also highlights the importance of cultural exchange and understanding in a rapidly globalizing world. His emphasis on the interconnectedness of art, nature, and spirituality remains relevant today, reminding us that true appreciation for other cultures requires empathy, respect, and an open mind.

As we reflect on Okakura's life and achievements, it becomes clear why he is remembered as one of Japan's most influential thinkers. His vision for a harmonious coexistence between Eastern and Western cultures has left an indelible mark on the art world and beyond.

Quotes by Kakuzō Okakura

Kakuzō Okakura's insights on:

O "chaísmo" é um culto que se fundamenta na veneração da beleza em meio à sordidez dos acontecimentos diários. Incute a pureza e a harmonia, o mistério da caridade mútua, o romantismo da ordem social. É essencialmente a veneração do imperfeito, uma tentativa singela de conquistar o possível em meio a esta coisa impossível que conhecemos como vida.
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O "chaísmo" é um culto que se fundamenta na veneração da beleza em meio à sordidez dos acontecimentos diários. Incute a pureza e a harmonia, o mistério da caridade mútua, o romantismo da ordem social. É essencialmente a veneração do imperfeito, uma tentativa singela de conquistar o possível em meio a esta coisa impossível que conhecemos como vida.
In my young days I praised the master whose pictures I liked, but as my judgment matured I praised myself for liking what the masters had chosen to have me like.
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In my young days I praised the master whose pictures I liked, but as my judgment matured I praised myself for liking what the masters had chosen to have me like.
We must know the whole play in order to properly act our parts; the conception of totality must never be lost in that of the individual.
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We must know the whole play in order to properly act our parts; the conception of totality must never be lost in that of the individual.
Welcome to thee,O sword of eternity!Through BuddhaAnd through Daruma alikeThou hast cleft thy way.
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Welcome to thee,O sword of eternity!Through BuddhaAnd through Daruma alikeThou hast cleft thy way.
Would that we loved the ancients more and copied them less! It has been said that the Greeks were great because they never drew from the antique.
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Would that we loved the ancients more and copied them less! It has been said that the Greeks were great because they never drew from the antique.
nous laissons à nos sympathies historiques le pas sur notre jugement esthétique. Et ce n'est que lorsqu'il gît tranquillement dans la tombe que nous offrons à un artiste les fleurs de notre approbation.
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nous laissons à nos sympathies historiques le pas sur notre jugement esthétique. Et ce n'est que lorsqu'il gît tranquillement dans la tombe que nous offrons à un artiste les fleurs de notre approbation.
Le ciel de l'humanité moderne s'est brisé en éclats dans la lutte cyclopéenne pour la richesse et la puissance. Oui ce monde avance à tâtons dans les ténèbres de l'égocentrisme et de la vulgarité. La connaissance s'achète au prix de la mauvaise conscience, la bienveillance se mesure à l'aune de l'utilité. L'Orient et l'Occident, comme deux dragons ballotés sur une mer en furie, luttent en vain pour reconquérir le joyau de la vie.
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Le ciel de l'humanité moderne s'est brisé en éclats dans la lutte cyclopéenne pour la richesse et la puissance. Oui ce monde avance à tâtons dans les ténèbres de l'égocentrisme et de la vulgarité. La connaissance s'achète au prix de la mauvaise conscience, la bienveillance se mesure à l'aune de l'utilité. L'Orient et l'Occident, comme deux dragons ballotés sur une mer en furie, luttent en vain pour reconquérir le joyau de la vie.
ceux qui se révèlent incapables de sentir en eux-mêmes la petitesse des grandes choses ne sauraient reconnaître chez les autres la grandeur des petites choses.
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ceux qui se révèlent incapables de sentir en eux-mêmes la petitesse des grandes choses ne sauraient reconnaître chez les autres la grandeur des petites choses.
We find Tankawosho breaking up a wooden statue of Buddha on a wintry day to make a fire. 'What sacrilege!' said the horror-stricken bystander. 'I wish to get the Shali out of the ashes,' calmly rejoined the Zen. 'But you certainly will not get Shali from this image!' was the angry retort, to which Tanka replied, 'If I do not, this is certainly not a Buddha and I am committing no sacrilege.' Then he turned to warm himself over the kindling fire.
"
We find Tankawosho breaking up a wooden statue of Buddha on a wintry day to make a fire. 'What sacrilege!' said the horror-stricken bystander. 'I wish to get the Shali out of the ashes,' calmly rejoined the Zen. 'But you certainly will not get Shali from this image!' was the angry retort, to which Tanka replied, 'If I do not, this is certainly not a Buddha and I am committing no sacrilege.' Then he turned to warm himself over the kindling fire.
Slavish conformity to traditions and formulas fetters the expression of individuality.
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Slavish conformity to traditions and formulas fetters the expression of individuality.
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