When I got back from London, I started with a new voice teacher in the experimental wing, who trained me to have my own artistry as opposed to forcing a technique upon me.

Touring is a whole other animal for me and a whole other skill. But I'm having a lot of fun figuring all that out and switching it from internal to external and putting on a show.

I think that being in an extreme natural setting, and letting the natural world and what it's doing permeate your thoughts, is super-interesting and super-important.

The fact that I could sing in a way that might not be right for RADA but is right for me was a brand-new concept.

Something I've learned is that it actually takes a lot of work to make something great.

In every song, there is a vocal element that doesn't have any words. I wanted to play around with how emotive and expressive my voice could be.

I'm not really good at anyone's songs but my own.

I'm definitely using different parts of myself, but I think when it comes down to words and melodies, I can't really force anything too much.

I think sitting behind a keyboard can be a security blanket.

I realized that there was much more to my voice than I'd ever been led to explore and that I could make my own songs.