Peter Riegert
Peter Riegert: A Life of Diverse Talents and Enduring Legacy
Full Name and Common Aliases
Peter Riegert's full name is Peter Riegert, but he is often referred to as Pete Riegert in informal settings.
Birth and Death Dates
Born on April 16, 1949, Peter Riegert is an American actor, director, and screenwriter who continues to be active in the entertainment industry.
Nationality and Profession(s)
Riegert is a proud American, born and raised in New York. He has worked extensively as an actor, but his talents extend beyond the stage and screen. He is also a skilled director and screenwriter.
Early Life and Background
Growing up in The Bronx, New York, Peter Riegert was exposed to the vibrant culture of urban America from a young age. His early life experiences would later influence his work as an actor and writer. Riegert's family encouraged his creative pursuits, which led him to attend Cornell University.
At college, Riegert became involved in various theatrical productions, further honing his craft. After graduating, he began working in theater, performing with the prestigious Steppenwolf Theatre Company in Chicago. His early success on stage laid the foundation for a long and accomplished career in film and television.
Major Accomplishments
Throughout his career, Peter Riegert has been recognized for his versatility as an actor, director, and writer. Some of his most notable roles include:
Local 598: In this critically acclaimed film, Riegert not only acted but also co-wrote the screenplay.
Crossing Delancey: A romantic comedy where Riegert starred alongside Amy Irving, showcasing his ability to excel in a variety of genres.
* Diner: A coming-of-age drama that cemented Riegert's reputation as a talented actor and collaborator.
Riegert has also received several award nominations for his work behind the camera, including his direction of episodes for popular TV shows such as "Chicago Hope" and "Law & Order."
Notable Works or Actions
In addition to his film and television credits, Peter Riegert has been involved in various charitable endeavors. He has worked closely with organizations focused on arts education, advocating for the importance of creative expression in young people's lives.
Riegert has also demonstrated a commitment to social justice, using his platform to raise awareness about issues such as racial inequality and environmental sustainability.
Impact and Legacy
Peter Riegert's impact extends far beyond his individual accomplishments. As an artist, he has inspired countless others with his dedication to craft and his willingness to take on diverse roles. His influence can be seen in the work of many contemporary actors and writers who have followed in his footsteps.
Riegert's legacy also lies in his ability to adapt and evolve as a creative professional. Throughout his career, he has successfully navigated transitions from stage to screen and from acting to directing, demonstrating an impressive range and versatility.
Why They Are Widely Quoted or Remembered
Peter Riegert is widely quoted and remembered for his thoughtful insights on the craft of acting and his passion for using art as a tool for social change. His contributions to the entertainment industry have been recognized with numerous awards and nominations, solidifying his status as a respected figure in American cinema.
Riegert's commitment to his work and his willingness to speak out on issues that matter continue to inspire both his peers and his fans. As a testament to his enduring impact, Peter Riegert remains a beloved and respected figure in the world of entertainment.
Quotes by Peter Riegert
When you get older, unless you're a huge star, the parts become less and the competition becomes greater. Because the guys left standing are the best.
There is a temptation for an actor to editorialize what they're doing. And you can't do that with Pinter. It's almost like a musical score. His lines are so specific, but they can mean different things to different people, like an alternating current.
There are movies I've seen or books I've read that attach themselves in a way that's greater than the ability to understand why. How do you explain that kind of connectedness?
Obviously, any time you're closer in terms of what your knowledge is to a character, you can add something. But an actor's job is not to play only people he can identify with.
I've learned there is a void in adult stories across the land. Hollywood, whatever that is anymore, is losing their ability to tell those stories because they're not even thinking of that audience.
I think when you're younger, as an actor you have much more of a notion that you are doing something to the audience. But with experience, I think you begin to worry less about what the audience's experience is and concentrate on working with the other actors, and that tends to let the audience do more work.
I got to learn from the American audience. Hearing what it is they're not getting. These are audiences, 35 to 40, an older demographic that controls seven to 10 trillion dollars. And the producers and distributors have convinced themselves this group doesn't go to the movies.
I did a play in high school, then one in college. My first professional experience was off-off-Broadway. I'm conveniently blocking the title. I'm sure I was terrible.
I did 'Animal House' in 1978, then 'Local Hero' in 1983, and then in '88, 'Crossing Delancey.' And I realized that every three to five years, you need a big role to put you into the national psyche.
A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process.