Peter Stone
Peter Stone
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Full Name and Common Aliases
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Peter Stone's full name was Peter Vincent Stone. He is often referred to by his first name, Peter.
Birth and Death Dates
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Peter Stone was born on September 4, 1930. Unfortunately, he passed away on April 27, 2003.
Nationality and Profession(s)
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Peter Stone was a British playwright and television writer. His nationality is often associated with the United Kingdom.
Early Life and Background
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Growing up in the UK, Peter Stone developed an interest in writing at a young age. He studied English literature at Cambridge University before pursuing a career in writing for theater and television.
Major Accomplishments
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Peter Stone's notable works include the stage musicals "1776" and "Titanic." His writing received critical acclaim and earned him numerous awards, including multiple Tony Awards.
Notable Works or Actions
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Some of Peter Stone's most well-known works are:
"1776": This Pulitzer Prize-winning musical is a historical drama about the signing of the Declaration of Independence. It explores themes of politics, love, and war.
"Titanic": Although not as directly connected to his writing style, Stone adapted this famous film into a stage production.
* "High Spirits": This play is a comedic take on Irish folklore.
Peter Stone's work often focuses on exploring the complexities of human relationships and the world around us. His dedication to writing about real-life events and historical periods has made him a respected figure in the entertainment industry.
Impact and Legacy
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Stone's impact on the theater and television industries is undeniable. He helped shape the way we experience storytelling through his work, paving the way for other writers to follow in his footsteps.
His legacy extends beyond his notable works; he also influenced many young writers who were inspired by his dedication to their craft.
Why They Are Widely Quoted or Remembered
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Peter Stone's quotes and writings are widely remembered because of the insight they provide into human nature and the world we live in. His ability to weave complex themes and emotions into engaging stories has made him a household name among fans of theater and television.
His writing often explores universal questions about love, politics, and war, making it relatable to audiences across different cultures and generations.
Overall, Peter Stone's impact on the entertainment industry is undeniable, and his quotes and writings continue to inspire new generations of writers.
Quotes by Peter Stone
At early previews, the theater gossips are there, wishing you ill every night. They don’t grant you any slack. Agents are in from Hollywood. Your friends are there. People who are going to spread the word-of-mouth. If something doesn’t work, everyone will know.
You listen to the audience. The audience is wrong individually and always right collectively. If they don’t laugh, it isn’t funny. If they cough, it isn’t interesting. If they walk out, you are in trouble.
When talking about unicorns, minotaurs, or compassionate conservatives, one does not normally have to prove their non-existence; the mere lack of any evidence is sufficient reason not to believe in any of them.
You listen to the audience. The audience is wrong individually and always right collectively. If they don't laugh, it isn't funny. If they cough, it isn't interesting. If they walk out, you are in trouble.
Belonging to the Dramatists Guild Council where, with my fellow dramatists, I can directly affect (and protect) the professional lives of all American Playwrights has always made me feel that I am returning as much to the theatre as I withdraw. Because only playwrights can ensure the well-being of playwrights. No one else will do it for us.
There are some actresses who cannot function on the set without having a close relationship with their directors. Their way of communicating with the director is through intimacy. It doesn't necessarily have to do with any physical act; it has more to do with achieving a closeness that they find very valuable.
For writers that rehearsal period is death. It is the most destructive thing of all to a script.
The rehearsal period is so far away from the time when the scene will actually be shot that very little is remembered.
There are two kinds of actors: those with one job too few, who have to take every one that comes along, and those with one job too many, who can always turn down the one they don't want.