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Full Name and Common Aliases


Plácido Domingo is a renowned Spanish operatic tenor, conductor, and arts administrator.

Birth and Death Dates


Born on January 21, 1941, in Madrid, Spain. Still active as of this writing.

Nationality and Profession(s)


Spanish national; Operatic tenor, Conductor, Arts Administrator

Early Life and Background


Plácido Domingo was born in Madrid, Spain, to a family of modest means. His father was an opera singer himself, and the young Plácido began singing at a very early age, making his debut as Jojo in _The Child and the Sorceress_ when he was just nine years old. He went on to study music at the Madrid Royal Conservatory.

Major Accomplishments


Domingo's illustrious career spans over six decades, with numerous accolades, including:

Three-time Grammy Award winner: Domingo has received these prestigious awards for his work as a conductor and as an artist.
Laureate of the National Order of Arts and Letters: This is France's highest honor in the field of arts and literature.
* International Opera Awards' Personality of the Year: In 2015, he was recognized for his outstanding contributions to opera.

Notable Works or Actions


Domingo has appeared on countless stages worldwide, performing iconic roles such as Verdi's _Otello_ and Puccini's _Tosca_. His repertoire is vast and includes works by Bellini, Donizetti, and Massenet.

One notable aspect of Domingo's career is his long-standing tenure with the Metropolitan Opera in New York City. He has been a regular performer at this iconic institution since 1968 and has held various administrative positions within the company over the years.

Impact and Legacy


Plácido Domingo's impact on the world of opera is immense. His tireless advocacy for the art form, coupled with his unwavering dedication to his craft, have left an indelible mark on generations of artists and audiences alike.

His legacy extends far beyond his own remarkable career; he has inspired countless young singers, conductors, and arts administrators through his mentorship and philanthropic efforts. His commitment to making opera accessible to a broader audience has helped pave the way for future generations of performers and patrons.

Why They Are Widely Quoted or Remembered


Plácido Domingo's numerous quotes and statements on art, music, and culture reflect his deep passion for the world of opera. He is widely quoted for his insights on the importance of arts education, the need to preserve traditional repertoire, and his dedication to promoting the next generation of artists.

His commitment to using his platform to advocate for social justice, equality, and cultural understanding has made him a respected voice in the global community. As an artist, educator, and leader, Plácido Domingo's influence continues to shape the world of opera today.

Quotes by Placido Domingo

But I won’t deprive myself of singing opera as long as my voice follows.
"
But I won’t deprive myself of singing opera as long as my voice follows.
What is sad is not to be able to do today what you have done in your youth. But what is good is to remember that – when you were able – you did it to the best of your ability.
"
What is sad is not to be able to do today what you have done in your youth. But what is good is to remember that – when you were able – you did it to the best of your ability.
Don’t you think it astonishing that, at 58, I am still working at improving my career?
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Don’t you think it astonishing that, at 58, I am still working at improving my career?
I’m not superstitious because it brings bad luck.
"
I’m not superstitious because it brings bad luck.
When it becomes clear that no one else shares your level of passion, you are where you belong.
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When it becomes clear that no one else shares your level of passion, you are where you belong.
The high note is not the only thing.
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The high note is not the only thing.
I hope I have given back half the joy music has given me.
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I hope I have given back half the joy music has given me.
Sometimes pianists try to sound like singers: me personally, I try to sound like a Bösendorfer.
"
Sometimes pianists try to sound like singers: me personally, I try to sound like a Bösendorfer.
Honestly, if the public still wants to hear me in some works, I have to go down a half step.
"
Honestly, if the public still wants to hear me in some works, I have to go down a half step.
To stay at my best, I have to stop talking during the preceding day.
"
To stay at my best, I have to stop talking during the preceding day.
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