Tony Levin
Tony Levin
#### Full Name and Common Aliases
Anthony Frederick "Tony" Levin is a renowned American bassist, singer, songwriter, and record producer. He is also known as the bassist for progressive rock bands King Crimson and Peter Gabriel's band.
Birth and Death Dates
Born on June 6, 1946, in Boston, Massachusetts, USA. As of this writing, Tony Levin is still alive.
Nationality and Profession(s)
American / Musician (bassist, singer, songwriter, record producer)
Early Life and Background
Growing up in a musical family, Levin was exposed to various instruments from an early age. He began playing the cello at 8 years old and eventually switched to the bass guitar after seeing Paul McCartney play one on television. This encounter sparked his interest in the instrument, and he went on to study music theory and composition at Berklee College of Music.
Levin's early career was marked by stints with several local bands, including a gig as a cellist for a jazz group. However, it was his work with King Crimson that brought him to the forefront of the progressive rock scene in the 1970s.
Major Accomplishments
Member of King Crimson (1981-1984, 1994-present) and Peter Gabriel's band
Collaborated with artists such as John McLaughlin, David Torn, and Adrian Belew
Released several solo albums, including "Pieces of the Sun" (1979), "A Stone and a Leaf for Two" (2000), and "Resonant" (2011)
Known for his innovative use of extended-range basses
Notable Works or Actions
As a member of King Crimson, Levin contributed to several iconic albums, including "Discipline" (1981) and "Threat of Rain" (1995). With Peter Gabriel's band, he appeared on the critically acclaimed album "So" (1986), which included hits like "Sledgehammer" and "Big Time." Levin has also worked extensively as a session musician, lending his talents to numerous artists across various genres.
Impact and Legacy
Tony Levin's impact on progressive rock is undeniable. His innovative approach to bass playing has influenced generations of musicians. As a key member of King Crimson and Peter Gabriel's band, he helped shape the sound of two influential groups. Through his solo work, Levin continues to push the boundaries of the instrument.
Why They Are Widely Quoted or Remembered
Tony Levin is widely quoted and remembered for his technical prowess as a bassist, as well as his contributions to some of the most iconic albums in progressive rock history. His innovative use of extended-range basses has expanded the possibilities of the instrument, inspiring countless musicians to experiment with new sounds and techniques.
Levin's influence extends beyond the world of music. He is also an accomplished writer and photographer, publishing several books on photography and jazz. His unique perspective as a musician and artist has made him a sought-after voice in interviews and lectures.
As a testament to his enduring legacy, Tony Levin continues to tour and record with King Crimson, inspiring new audiences and cementing his status as one of the most respected bassists of our time.
Quotes by Tony Levin
Yes, alas, I’ve been on some recording sessions where the music wasn’t good. Not so many, really, considering how many I’ve done. It’s a very awkward situation because to do a recording well you focus on the positive of what will make the piece better.
I’m a player and I do it because I love playing whether it’s for my album or someone else’s.
Through the years I’ve found that I prefer live playing to recording. I still do lots of recording – but I treasure the live shows.
I’m in that comfortable niche where I’m not that famous and sometimes people do need to put a barrier between them and their followers. When you’re real famous you need to do that but I’m not that famous so I don’t need that kind of barrier.
From my time in ‘King Crimson,’ I’d describe a Progressive band as one that keeps trying to break musical barriers, and keeps trying to do new music.
We all have different musical instincts, and I think they’re precious and should be respected.
John was great to work with, and a lot of fun. I wish Id had the chance to make more music with him, of course, and to get to know him better.
Like most musicians, Im good at becoming immersed in the music that I am currently working on. We seldom lift up our heads to contemplate even the music we will be doing in the future, let alone what weve done in the past.