MJ

Mira Jacob

20quotes

Mira Jacob Biography


#### Full Name and Common Aliases
Mira Jacob is a writer, editor, and speaker who has been widely recognized for her thought-provoking works on identity, family, and social justice.

#### Birth and Death Dates
Mira Jacob was born in 1971. As of this writing, there is no publicly available information about her passing or death.

#### Nationality and Profession(s)
Jacob holds American citizenship and identifies as an Indian-American writer. Her professional background includes working as a writer, editor, and speaker on topics such as identity, belonging, family, culture, and social justice.

#### Early Life and Background
Mira Jacob was born in India to Gujarati parents. In 1978, her family moved to the United States. Growing up between two cultures significantly influenced her perspective and writing style. Jacob's experiences navigating cultural differences and exploring her identity have shaped her perspectives on belonging, identity, and social justice.

#### Major Accomplishments
Jacob has received numerous awards for her work, including a 2020 National Book Award nomination for her memoir Good Girls: An American Catholic Story. This personal narrative explores the author's experiences growing up in an Indian-American family while also navigating her relationships with the Catholic faith and her husband.

#### Notable Works or Actions
Mira Jacob has written several books, including The Sleepwalker's Guide to Dancing, a novel published in 2014 that explores themes of family, identity, and social justice. Her non-fiction work, Good Girls: An American Catholic Story, delves into the author's personal experiences with Catholicism, exploring her own struggles with faith and belonging.

#### Impact and Legacy
Through her writing, Mira Jacob has created a space for conversation around issues of identity, culture, and social justice. By sharing her personal stories and reflections on these topics, she encourages readers to reflect on their own lives in relation to the broader cultural landscape.

#### Why They Are Widely Quoted or Remembered
Mira Jacob is widely recognized as an author who has made significant contributions to contemporary literature by exploring themes of identity, belonging, family, culture, and social justice. Her writing often prompts readers to think critically about their own experiences within these contexts.

Quotes by Mira Jacob

Why do fathers look ungainly in their daughter's bedrooms? Like mythical beasts wandered in from the forest of another world?
"
Why do fathers look ungainly in their daughter's bedrooms? Like mythical beasts wandered in from the forest of another world?
Amina would not know herself until years later, when she understood what it was to long for someone, to ache for their smell and taste on you, to imagine the weight of their hips pinning yours so precisely that you crane up to meet your own invisible desire
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Amina would not know herself until years later, when she understood what it was to long for someone, to ache for their smell and taste on you, to imagine the weight of their hips pinning yours so precisely that you crane up to meet your own invisible desire
It was a fever, a hot rage of words.
"
It was a fever, a hot rage of words.
The trouble began when my 6-year-old son, Z, became obsessed with Michael Jackson.
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The trouble began when my 6-year-old son, Z, became obsessed with Michael Jackson.
Because all of us are so ready to talk about the world we live in. We are ready to have a publishing industry that is of that world.
"
Because all of us are so ready to talk about the world we live in. We are ready to have a publishing industry that is of that world.
Mindy Lujan with her feathered hair, bullying blue-lined eyes, and potty mouth that rivaled Akhil's, managing to use fuck as a verb, an adjective, and a noun, often in the same sentence, as in, "Who the fuck does that fucking fuck think she's fucking with?
"
Mindy Lujan with her feathered hair, bullying blue-lined eyes, and potty mouth that rivaled Akhil's, managing to use fuck as a verb, an adjective, and a noun, often in the same sentence, as in, "Who the fuck does that fucking fuck think she's fucking with?
Somehow, all the talk about tenure and anthropology had given her visions of a thick-walled, libraried adobe, the kind of place that was covered with kilim rugs and fertility sculptures. The white stucco in front of her looked only slightly more substantial than a roadside weigh station.
"
Somehow, all the talk about tenure and anthropology had given her visions of a thick-walled, libraried adobe, the kind of place that was covered with kilim rugs and fertility sculptures. The white stucco in front of her looked only slightly more substantial than a roadside weigh station.
An hour later, Amina stood at a pay phone in a mall hallway, where poop and perfume and the grease from the food court formed the kind of atmosphere you might find in Jupiter's red spot
"
An hour later, Amina stood at a pay phone in a mall hallway, where poop and perfume and the grease from the food court formed the kind of atmosphere you might find in Jupiter's red spot
Why is it that fathers so often ensure the outcome they are trying to avoid? Is their need to dominate so much stronger than their instinct to protect? Did Thomas know, Amina wondered as she watched him, that he had just done the human equivalent of a lion sinking his teeth into his own cub?
"
Why is it that fathers so often ensure the outcome they are trying to avoid? Is their need to dominate so much stronger than their instinct to protect? Did Thomas know, Amina wondered as she watched him, that he had just done the human equivalent of a lion sinking his teeth into his own cub?
Nobody likes these things life hands us. But part of becoming a man is understanding how to face them head on instead of running all the time. It's time you learned how to do that.
"
Nobody likes these things life hands us. But part of becoming a man is understanding how to face them head on instead of running all the time. It's time you learned how to do that.
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