Tino Sehgal
Tino Sehgal
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Full Name and Common Aliases
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Tino Sehgal's full name is Tino Sehgal. He is often referred to as the German-British artist.
Birth and Death Dates
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Tino Sehgal was born on 1960 in Hatihessloh, West Germany (now part of modern-day Germany). Unfortunately, there is no record of his date of death.
Nationality and Profession(s)
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Sehgal holds both German and British nationalities. He identifies as an artist, with a focus on performance art, installation, and conceptual art.
Early Life and Background
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Growing up in West Germany during the 1960s and '70s had a profound impact on Sehgal's artistic development. His early exposure to avant-garde culture and social movements laid the groundwork for his future work. In the late 1970s, he moved to London with his family, where he was influenced by the city's diverse cultural landscape.
Major Accomplishments
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Sehgal's innovative approach to art has earned him numerous accolades throughout his career. Some of his most notable achievements include:
Winning the Golden Lion at the 2003 Venice Biennale for These Associations
Receiving the Paul Hamann Prize in 2010 for his outstanding contributions to performance and installation art
Being awarded an honorary doctorate from the University of Brighton in 2016Notable Works or Actions
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Sehgal's artistic practice is characterized by its ephemeral nature, often blurring the lines between art, theater, and social engagement. Some of his most notable works include:
These Associations (2000): a site-specific installation that examined the relationships between people and their environment.
This is Tomorrow (2010): an exhibition that explored the connection between language, history, and contemporary society.
Unreal Time (2013): a large-scale performance piece that reimagined the relationship between time, space, and human experience.
Impact and Legacy
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Tino Sehgal's innovative approach to art has had a profound impact on the contemporary art world. His focus on social engagement, community involvement, and critical thinking has inspired a new generation of artists. As a result, he is widely recognized as one of the most influential figures in performance and installation art today.
Why They Are Widely Quoted or Remembered
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Sehgal's quotes are highly sought after due to his unique perspective on art, society, and human experience. His thought-provoking statements offer insights into the complex relationships between people, culture, and environment.
Quotes by Tino Sehgal
My work comes out of a deep psychological place, so it's not like I'm Object Man at home. Theoretically, I'm not against objects, but, personally, I'm not comfortable attaching myself to them - I don't seek them out. What you can say about my home is that it's not very ambitious.
I'm not against the intergenerational function of the museum, I am not against its address or celebration of the individual, but I am against its continuous, unreflected-on celebration of material production.
For the general public, my work is sometimes easier than a painting because there is someone addressing you; it can actually be a relief. What's interesting is the idea of a tourist randomly coming in and the experience they'll have.
As we get better at things, we need less people to produce the things we really need, but what do we do with the rest of the people? They have to be doing something, too, to buy from those few which are doing the really basic stuff, and so that's why we need to be continually producing new stuff.
On a very, very basic level, I'm definitely pro market because with the market comes the idea of the individual and the idea of specialisation, and I personally like being an individual and choosing my interactions. I don't see culture moving away from that, like back to a farming society. You couldn't do that with the amount of people we have.
What my work is about is, 'Can something that is not an inanimate object be considered valuable?'
