In China, we don't have any contemporary art museums. Until a few years ago, we didn't even have a gallery.

[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.

I don't think China should care if this crazy old guy should have a show here or not. You have so many museums in the West, and so many shows, you need somebody to show the work, otherwise it's empty.

The museums used to be exhibition halls for government propaganda, and now every city wants to build a museum. A few thousand are to be built in the next few years, all using taxpayer money. But there is no system, no research, no content, no good programs, no good managers.

I don't think China has professional museums - not in the past, present, or near future.

Art exhibitions would be less censored if they were rated, G or NC-17, like movies. People in general see galleries and museums as family-appropriate excursions. Censorship is a provided system which caters to lazy parenting, which is publicly-funded and socially accepted.

A church is a hospital for sinners, not a museum for saints.

If the world were to end tomorrow and we could choose to save only one thing as the explanation and memorial to who we were, then we couldn't do better than the Natural History Museum, although it wouldn't contain a single human. The systematic Linnean order, the vast inquisitiveness and range of collated knowledge and beauty would tell all that is the best of us.

I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.

Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.