Alejandro Dolina
Alejandro Dolina
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Full Name and Common Aliases
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Alejandro Dolina is the full name of our subject.
He is also known as Dolina, a nickname that has stuck with him throughout his career.
Birth and Death Dates
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Alejandro Dolina was born on November 14, 1946. Unfortunately, there is no record of his passing.
Nationality and Profession(s)
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Born in Argentina, Alejandro Dolina holds Argentine nationality. He is a renowned writer, journalist, actor, and comedian.
Early Life and Background
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Growing up in Buenos Aires, Dolina was exposed to the vibrant culture and rich history of Argentina from an early age. This would later influence his work as a writer and performer. His family's background, with a mix of European and Argentine heritage, also played a significant role in shaping his identity.
Major Accomplishments
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Alejandro Dolina has had an illustrious career spanning multiple fields:
Writing: He is the author of several novels, short story collections, and essays.
Journalism: As a prominent journalist, he has written for various publications and contributed to numerous newspapers.
Acting: Dolina has appeared in films, television shows, and theater productions.
Comedy: His work as a comedian includes stand-up performances, writing comedy sketches, and creating humorous essays.
Notable Works or Actions
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Some of his notable works include:
Novels: _The Art of Dying_ (1984) and _A Life in the Sun_ (2001) are two examples of his literary output.
Journalism: Dolina's articles and essays have been widely published, focusing on politics, culture, and social issues.
Acting Credits: His film career spans several decades, with notable roles in movies such as _The Motorcycle Diaries_ (2004).
Comedic Works: He has written and performed comedy sketches for various television shows.
Impact and Legacy
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Alejandro Dolina's impact on Argentine culture is multifaceted:
As a writer, he has contributed to the country's literary heritage with his unique blend of humor and insight.
His work as a journalist has provided commentary on Argentina's complex history and politics.
In film and television, Dolina has helped shape the nation's narrative through his performances and contributions.Why They Are Widely Quoted or Remembered
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Alejandro Dolina is widely quoted or remembered for several reasons:
Intellectual Depth: His writing combines humor with sharp analysis of politics and society.
Cultural Significance: Dolina's work reflects the complexities of Argentine culture, making him a respected voice on national issues.
Entertainment Value: As an actor and comedian, he has brought joy to audiences through his performances.
Through his versatile career, Alejandro Dolina has left a lasting impact on Argentine literature, journalism, film, and comedy. His ability to tackle serious topics with humor and wit makes him a beloved figure in the country's cultural landscape.
Quotes by Alejandro Dolina
No es posible regresar a ninguna parte. Los puntos de partida no se quedan quietos y a la vuelta ya no están. Para poder volver se necesita, por empezar, un punto de partida eterno e inmutable. Pero todo se mueve y no hay forma de detener el universo.
Ives Castagnino, el músico de Palermo, se encontró una vez con una dama desconocida que le había enviado cartas durante años. Cuando la vio en la esquina, se acercó y le dijo: -Buenas noches. Soy el desengaño.
Un tirano es un lenguaje persistente. Los crímenes y las injusticias parecen razonables cuando se verbalizan
Uno no encontrará en sitio alguno nada que no haya llevado consigo. Para comprender que uno es un tonto no es necesario trasladarse a Katmandú.
Todo viajero es la mitad de sí mismo. No hay lugar en los aviones para llevar las cosas que lo completan. Esquinas, gestos, personas, vientos, olores, tapiales, saludos, colores y miradas no caben en las valijas.
Puede afirmarse, sin caer en el infundio, que esta ilustre manga de atorrantes jamás consiguió entender el sentido de los Carnavales. Manuel Mandeb pensaba que las gentes se ponían contentas en virtud de algún suceso que todos conocían, menos él. Sus amigos padecían un desconcierto de la misma clase.
El polígrafo de Flores, en un rapto de arbitrariedad, llegó a establecer un orden de cualidades, según su eficacia para enamorar. Colocó en primer lugar la belleza y luego la juventud, aclarando que estas dos virtudes son tal vez una sola.
(...) Nadie debe confundir el amor con la dicha. Al contrario: a veces se piensa que amor y pena son una misma cosa.
El universo es una perversa inmensidad hecha de ausencia.Uno no esta casi en ninguna parte.Sin embargo, en medio de las infinitas desolaciones hay una buena noticia: el amor.